Robin Odell – Jack The Ripper, In Fact And Fiction (Mayflower-Dell, Sept. 1966)

Blurb:

In the autumn of 1888 the streets of London were streets of terror. The cause – a series of mysterious and apparently motiveless murders. Respectable citizens cowered behind shuttered windows and multi-locked doors. Ironically, however, it was not the respectable who were in danger. The victims were all drawn from the trade which necessity still compelled to haunt dark alleys and doorways at dead of night – the prostitutes.

Theories on the identity of the murderer have been many and various: that he was a fashionable doctor, even that he was a she – a midwife. Robin Odell has produced an absorbing factual reconstruction of all the crimes and a brilliant new theory, based on modern methods of detection, to solve the greatest mystery in British criminology. Most readers will accept his theory as the long-sought answer to a baffling real-life whodunit: as the most likely epitaph on a terror known as Jack The Ripper, In Fact And Fiction.

Brian Ball – Witchfinder: The Evil at Monteine (Mayflower, 1977)

“When Richard was offered the chance to work for millionaire recluse Simon Miaolo, Anne was pleased for her fiancé’s career.

That was when, like others before her, she turned to Ruane the Witchfinder. A man who would listen. A man waging his own private war against the Devil.”

Thanks to Severance of Vault for the cover scan and blurb (again!) 

Brian Ball – Witchfinder: The Mark of the Beast (Mayflower, 1976)

“There was Evil in the air at the seance – Evil that was to transform their lives. Janice said she had not changed but there were signs Alan could not ignore. Like the strange mark on her hand, the naked wanderings in the moonlight, the unusual sexual demands. Like the blood stains on her clothes…

And so Alan turned to ex-priest Ruane, a man drained of self-respect, a drunkard, a reject, but still the only man who would listen. A man who knew the reality of the Devil.”

Thanks to Severance of Vault for the cover scan and blurb.

John Symonds – The Great Beast: The Life And Magick Of Aleister Crowley (Mayflower 1973: Richard Clay, 1971)

I am the Beast, I am the Word of Aeon. I spend my soul in blazing torrents that roar into Night, streams that with molten tongues hiss as they lick. I am a hell of a Holy Guru.

Peter Saxon – The Haunting Of Alan Mais (Mayflower, 1970)

Witchcraft, Necromancy, Voodoo, Vampirism, Satanism, Black Magic, Sorcery

A very busy plot with plenty of mysterious goings-on: why is there no record of any ‘Langford Layton’? What does the voyeuristic sexton Pauncefoot know that he’s not letting on? Did the previous owner, General Quinn, dabble in black magic? What’s up with Anne?

Richard Lewis – Rabid (Mayflower, 1977: 1978)

You can’t trust your mother … your best friend … the neighbour next door. One minute they’re perfectly normal, the next – RABID

Henry S. Whitehead – The Black Beast And Other Voodoo Tales (Mayflower, 1976)

The West Indies. Tropical islands steeped in native beliefs and superstition. Home of the dreaded jumbee. Birthplace of a thousand unfathomable mysteries. The mysteries of voodoo.
Let Henry S. Whitehead take you into this macabre world where beasts invade the minds of men.
Where executed buccaneers still twitch on the hangman’s rope. Where the lives of the living are racked by the spirits of the dead. Where the curses of the great Guinea-Snake can freeze the blood in your veins and melt the iron in your soul!

By the author of Jumbee and Other Voodoo Tales.

The Black Beast
Seven Turns In A Hangman’s Rope
Mrs. Lorriquer
The Projection Of Armand Dubois
The Lips
The Fireplace

Gordon M Williams -  The Siege Of Trencher’s Farm (Mayflower 1971,  Secker & Warburg 1969)

Straw Dogs has an unshakable connection with A Clockwork Orange. The films were released within months of one another between November 1971 and January 1972, causing various critics to write to the Times to defend ACO and hope it wouldn’t get caught up in the controversy surrounding SD. Both films concerned thuggery, rape, house-breaking. Both were made by name American directors and set in Britain. ACO concerns a violent person being forced to give up violence against his will. SD concerns a non-violent person being forced to use violence against his will. SD is rural, ACO urban. Both directors were castigated by Leslie Halliwell in his ’76 Film Guide for removing any reference in the films to their titles.The Burgess novel dated from 1962, Williams from 1969. Inspired by ‘mad axeman’ Frank Mitchell’s escape from Dartmoor whilst ex-journo Williams was living in Devon, Gordon churned out TSOTF in 9 days – an exercise in ‘hit and run’ pulp. Amazing considering, of his earlier novels, one had been short-listed for the all-new Booker Prize and another had been picked up by Hollywood for a tidy sum. Williams had ghost written the autobiography of Bobby Moore, and become friendly with Terry Venables. A detective series, Hazell, was co-written by Gordon and Terry. Williams is dismissive of Peckinpah and the film – and later gave up writing because he ‘got bored’.

Comparisons between the film and book are inevitable. Despite being advertised by one paperback publisher as ‘the famous novel of rape and violence’, there is no rape in the book. Henry Niles (film) is an amiable bumbling village idiot who seems to have done something dodgy with gurls in the past He accidentally strangles teen temptress Janice Heddon who has led him on somewhat. In the novel he is a convicted child-killer and rapist taken to hospital from the Bedlam in which he is incarcerated, for some injections. The ambulance crashes in foul weather and Niles wanders into the snow. Janice Heddon (novel) is eight years old, handicapped and subject to fits. Frightened by the vicar dressed as Santa Claus at the village childrens’ party, she also flees into the blizzards.
George Magruder is an American historian with an English wife, Louise. Normally resident in the USA, the family (the Magruders have a young daughter) have travelled to England for a Sabbatical. It has given Louise a chance to visit her roots, and George a chance to prepare a book on Branksheer, an English academic and rakehell, in an authentic setting.

Things aren’t good between husband and wife. English/American, Man/Woman, order/chaos, routine/spontaneity squabbles are commonplace, and their daughter is not enjoying her stay. There is tension between the Magruders and the local villagers, particularly the lower echelons. The dispossessed, poor, envious, ill-educated and parochial have nothing but suspicion for the ‘professor’, a high and mighty Yank.

Things come to a head when, returning from the party, the Magruders run down Niles in their car. Not realising who he is, they take him home and attempt to revive him, whilst seeking help. During this time his identity is revealed and this information reaches the irate menfolk, who have all been hitting the booze and fruitlessly searching for the lost Janice Heddon. They quickly reach the conclusion that Niles is responsible for Janice’s disappearance and head for Trencher’s Farm, temporary home of the Magruders.

The scene is now set for the siege – an incredibly tense onslaught wherein all manner of emotions, hatreds and problems surface to hinder all concerned. George and Louise alternate between defending Niles and wanting to throw him to the wolves. The villagers inadvertently murder one of their own (albeit of a higher caste) and so have nothing to lose. George, the mild mannered, prissy, history man has to look into himself and decide whether he is man enough to subdue his wife, defend his territory and, if it comes to it, kill those who would besiege his castle.
The presence of the young daughter heightens suspense, what with Niles in the house – outwardly a pathetic harmless little man, but whose shocking history is known to all.

What would you do?

It’s interesting to note that that the novel refers to contemporary issues such as the moon-landing and the abolition of capital punishment. Niles, to me, seems to be partly inspired by the Moors Murderers and the public outcry against them.

GMW gives both sides of the story – providing the villagers with plenty of motivation for their actions.

The film has inspired much controversy and newsprint. The novel less so, but the basics are there – a very powerful piece of story-telling.

Review by Franklin Marsh of Vault Of Evil. see the Vault Siege Of Trenchers Farm thread here.

W. A. Ballinger – The Witches Of Notting Hill (Mayflower-Dell, 1965)

Blurb:

It had begun on Midsummer Night with what looked like a ghastly ritual murder of inhuman savagery. But the killer was no depraved monster thirsting for sacrifice. There was method in his madness. A million pounds worth of reasons why two men and a woman had to meet sudden violent death.

Anthony Masters – The Natural History Of The Vampire (Mayflower, 1974)

A Dying Art.

The are everywhere .. from Transylvania to Haiti’s voodoo-land, lurking in dank draughty castles and on lonely mountains, waiting to plunge their fangs into the soft white throats of young girls. Vampires …

Here with a wealth of  gruesome anecdotes, rites, rituals and legends, Anthony Masters unearths the history of vampires – what they are, where they are and, most importantly, how to guard against them.

Come for a terror-trip round the history of vampires – you could do with the exorcise!